Wishes to Write on a Chinese New Year Lantern

Wishes to Write on a Chinese New Year Lantern Chinese New Year includes two weeks of celebration with most activities taking place on just three days: New Years Eve, New Years Day, and Lantern Festival, which is celebrated on the last day of Chinese New Year. Heres what you should know about the Lantern Festival, including the symbolism of the celebration and which characters to write on your own lantern to wish in Chinese. What Is the Chinese New Year Lantern Festival? Every year, on the last day of Chinese New Year, families from Taiwan to China place colorful lanterns outside their homes and launch them into the night sky. Each lantern corresponds to a particular wish the family has for the new year, with the colors  having various meanings. For example, sending off a red lantern represents a wish for good fortune, while orange symbolizes money and white symbolizes good health. There are many stories about why this festival takes places. For example, in one of the origin legends, Emperor Qinshihuang, the first emperor to unite China, held the first Lantern Festival to ask Taiyi, the ancient god of heaven, for health and good weather. In another of these legends, which is rooted in Taoism, the Lantern Festival was first put on to celebrate the birthday of Tianguan, the god of good fortune. Other explanations center around the Jade Emperor, and a maid named Yuan Xiao. Wish in Chinese: What to Write on Your Lantern The festival has changed a lot over the years. Simple handheld paper lanterns have been replaced with elaborate  colorful lanterns of all shapes and sizes. But the tradition of sending wishes to be granted into the sky has remained. Many revelers enjoy writing riddles or wishes on the lanterns before sending them airborne. Here are some examples of what you may want to write on your own lantern, include the Chinese symbols and pronunciation. Onward and upward:  Ã¦ ­ ¥Ã¦ ­ ¥Ã© «ËœÃ¦Ëœâ€¡ (bà ¹ bà ¹ gÄ oshÄ“ng)Good health:  Ã¨ º «Ã© «â€Ã¥  ¥Ã¥ º · (shÄ“ntÇ  jinkÄ ng)All wishes come true:  Ã¥ ¿Æ'æÆ' ³Ã¤ ºâ€¹Ã¦Ë†  (xÄ «n xiÇŽng shà ¬ chà ©n)Be happy and carry laughter all the time:  Ã§ ¬â€˜Ã¥  £Ã¥ ¸ ¸Ã©â€"‹ (xio kÇ’u chng kÄ i)Business will grow and get better:  Ã¤ ºâ€¹Ã¦ ¥ ­Ã¨â€™ ¸Ã¨â€™ ¸Ã¦â€" ¥Ã¤ ¸Å Ã©â€"‹ (shà ¬yà ¨ zhÄ“ng zhÄ“ngrà ¬ shngkÄ i)Everything will be lucky and go smoothly:  Ã¨  ¬Ã¤ ºâ€¹Ã¥ ¤ §Ã¥ â€° (wnshà ¬djà ­)Things will happen as you wish:  Ã¤ ºâ€¹Ã¤ ºâ€¹Ã¥ ¦â€šÃ¦â€ž Ã£â‚¬ Ã¥ ¿Æ'æÆ' ³Ã¤ ºâ€¹Ã¦Ë†  (shà ¬ shà ¬ rà ºyà ¬, xÄ «n xiÇŽng shà ¬ chà ©ng)Pass an entrance exam and get enrolled in a school:  Ã©â€¡â€˜Ã¦ ¦Å"é ¡Å'Ã¥   (jÄ «nbÇŽng tà ­mà ­ng)Harmonious family and prosperous life:  Ã¥ ® ¶Ã¥â€™Å'è  ¬Ã¤ ºâ€¹Ã¨Ë†Ë† (jiÄ  hà © wnshà ¬ xÄ «ng)Work smoothly:  Ã¥ · ¥Ã¤ ½Å"é  â€ Ã¥Ë† © (gÃ… ngzuà ² shà ¹nlà ¬)Quick ly find Mr. Right:  Ã¦â€" ©Ã¦â€" ¥Ã¦â€° ¾Ã¥Ë† °Ã¥ ¦â€šÃ¦â€ž Ã©Æ'Žå â€º (zÇŽorà ¬ zhÇŽodo rà ºyà ¬ lng jÃ… «n)Make a fortune:  Ã¨ ³ ºÃ©Å' ¢Ã§â„¢ ¼Ã¥ ¤ §Ã¨ ² ¡ (zhunqin fÄ  d ci) Whatever your wish, Chinese New Year can be a wonderful opportunity to set the tone for the year ahead.

Essay on Critical Annotated Bibliography

Essay on Critical Annotated Bibliography Essay on Critical Annotated Bibliography Essay on Critical Annotated BibliographyToday, the copyright law is one of the most controversial issues because, on the one hand, the copyright protects intellectual property rights, while, on the other hand, the emergence of information technologies and modern telecommunication systems have opened new opportunities for creative work of people using materials legally protected by the copyright. In this regard, it is possible to refer to the documentary A Remix Manifesto directed by Brett Gaylor.Before the presentation of the documentary, Brett Gaylor encourages people to do more remixes from the movie and, thus, to make his idea of the new concept of the copyright come true. The emotional appeal of the director to the audience can be traced throughout the documentary as Gaylor persuades the public that the traditional copyright law is outdated and he attempts to present the existing legislation as the copy RIGHT suggesting moving to the copy LEFT that means that copyrights should be come more liberal. In fact, he is a proponent of creative commons since the documentary is created on the ground of contribution of many people and the director explores the contemporary concept of the copyright and how it should be changed to meet the modern cultural and technological environment.To make his message more persuading, Gaylore refers to the authority of renowned activists, journalists, and other reputable people, who stand on the similar ground for creative commons and changes of the modern copyright law. The appeal to the authority of renowned people is a useful device that helps to gain the support of the audience and persuade viewers that his vision of the copyright is basically right.To defeat any possible argument of his opponents, Gaylor appeals to the logic and reason of the audience by referring to the case of Jammie Thomas, a single mother making $36,000 a year, who was ruled to pay off $222,220 in damages for making 24 songs available for download on the Kaz aa file-sharing network. The audience can hardly keep from being sympathetic in relation to Jammie Thomas and may believe the payoff is too high.In such a way, Gaylor steadily but logically leads the audience to the only possible conclusion that the law, including the copyright law, should distinguish the copyRIGHT represented by corporations and the copyLEFT represented by free creative communities. The director concludes that people have the right to realize their creativity and publish their creative works freely within the public domain.In fact, the argument of Gaylor is logical and reasonable as well as it is emotional. However, he apparently tends to stand for the copyLEFT but he also tends to underestimate the risk of misusing the concept of creative commons and other ideas related to his concept of copyLEFT, which implies free individual creativity in the public domain. In a long-run perspective, the refusal from the traditional copyright law and the shift toward public crea tivity, or creative commons, or whatever, leads to the violation of the intellectual property rights of individuals and companies because whatever intellectual property that goes public will be unprotected by the copyright anymore.Thus, A Remix Manifesto is the documentary that raises an important issue of the change of the copyright and the emerging conflict between the right of individuals to creativity in the public, open domain, and the protection of intellectual property rights.

Triangle Fire Essay Example | Topics and Well Written Essays - 750 words

Triangle Fire - Essay Example The scrap bin was accumulated with cuttings of around two months and a lighted cigarette or a match was possibly the starting point of the fire. On the other hand, some explain that the engines which supported the sewing machines may have caused the fire, whereas many historians believe that it was pre-planned by the owners of the factory. The owners, Blanck and Harris were present at the factory premises when the fire broke out along with their workers in the 10-storey building. When the fire broke out, the two owners saved themselves by running to the roof and jumping to the adjoining building, but their workers met a terrible fate and 146 of them were either burnt alive or jumped out of the building windows in horror to save themselves. When the workers used the Washington Place stairways to flee, they noticed it was locked which took from them the only hope of escaping the sight safely. The Washington Place Stairway was locked from the outside to prevent theft by the workers. The workers demanded for better working conditions because they were made to work for longer hours at very low wages and they were deprived of the basic amenities and facilities. Whereas on the other hand, the factory owners rejected these demands put forth by the workers of the factory, so that they could protect the industries from the effects of unionizations and regulations. Plus, the low profit margins coupled with the high costs prevented the owners from meeting the demands of the workers because the fulfillment was monetarily not feasible. Many female workers who worked at the factory were immigrants, from Europe and Italy, who had migrated in hope of a better life and future. The poor working conditions they faced and the grinding poverty made their lives even more difficult. The work conditions were horrific, with long working hours and low wages. Many of these workers, in protest of the poor working conditions joined unions and even went out on strikes.

Research Paper Essay Example | Topics and Well Written Essays - 3000 words

Research Paper - Essay Example However, it is patently obvious that the social movements that began in the early 19th century have thus far a great deal left to accomplish. For instance, the individual can and should consider the case of wage disparity as it relates to men and women in the workforce. Regardless of the metric that is used, women typically make between 10-15% less on each and every pound as compared to a man. Even though great progress has been made, this particular statistic is one that is ultimately quite stubborn and has proven difficult to engage. Although it is obvious that one or two methods might not be sufficient for entirely ameliorating this differential, it is the view of this author that seeking to promote the changes that will be considered within this brief analysis will be extraordinarily beneficial in helping to address the broader issue; albeit not totally sufficient to ending the gender gap in wages. Accordingly, the approaches that will be put forward are as follows: extending fur ther levels of family leave to men, increasing government awareness programs, working to further social acceptance of wage parity, and discontinuing wage secrecy. It is widely recognized that women were not represented within the workforce of the United States, at least to a statistically significant degree, up until the First World War. As a direct result of the fact that tens of thousands of young men were going off to training and engaging in combat, the labor force was dealt a heavy blow. Similarly, the industrializing powers throughout the globe placed a heavy importance upon ensuring that their economic power was firmly exhibited by means of their industrial production capabilities; not to mention the fact that were material needed to be created at an ever increasing rate as a result of the conflicts they were exhibited throughout the developed world at that time. Similarly, the overall representation of women in the

International Business Essay Example | Topics and Well Written Essays - 1000 words

International Business - Essay Example Unlike Asia Tile, Platinum manufactures tiles both for import and export. At first, Platinum exported their products mainly to the United States and to several other countries, such as China, Malaysia, and Vietnam. But, due to a change of demand for the tiles’ motive, PCI started to decrease their export to the United States. However, the revenue gained from exporting to the United States is not as much as the revenue achieved from exporting to Malaysia, Vietnam, and China. The raw materials needed to manufacture exporting goods to the United States are relatively scarce in Asia. As such, this has caused the production cost to increase as the price of the raw materials increase due to scarcity. This case has become a challenging issue. PCI also outsources several of their intermediate goods from countries around Asia. They import their glaze materials, as well as coloring materials from a company in China called China Glaze. PCI gets better quality for these materials for a si gnificantly better price. However, outsourcing goods from other countries have some significant disadvantages. It is time consuming, and sometimes the coloring materials do not properly match with what PCI needs. If PCI needs to produce a certain type or motive immediately, it will not be able to use the outsourced goods as they are very time consuming. John Koh stated that the process of outsourcing the intermediate goods can be a very complicated and tedious chore. There was one time where the goods (China Glaze) were rejected because it did not meet the standards of PCI’s expectations. Therefore, they had to ship it back to China for an exchange of the better quality products, though sometimes they may even have to remake the mixture of the coloring materials in order to match the original design (the percentage of which coloring materials to be used). Not only does this get complicated at times, but it can be very time consuming (it can take more than a month for the mate rials to be received). There is also a challenging issue when it comes to machineries. PCI bought most of their machines from Europe. Therefore, when the machine either malfunctions or breaks, it takes a few days for the technician to arrive from Europe. The machine’s company will not let one of PCI’s engineers study and fix the machines as the repairs require careful and professional attention. The consequence when a machine breaks down is a decrease in production for several days. Back then, Platinum Ceramics Industry was the leading ceramic tiles manufacturing company in Indonesia. But, due to an increase in competitors, it started to lose their market. To solve this issue, PCI decided to expand their company by building new factories to manufacture export goods. Some challenges PCI encountered building new factories were the risk of market failure, the need to find decent raw materials locally to minimize production cost, and the shipping costs. However, if the loc al raw materials did not meet the standard of export’s quality, then outsourcing intermediate goods would be required. The things that need to be observed and studied in this case are reflected in Michael Porter’s Diamond model. It discusses the significant factors that we should study in an international business. These factors are demand condition, related supporting industry, firm’s strategy, infrastructure and rivalry, factor condition, and government. Demand condition

Love and Courtship in Federalist America Essay Example for Free

Love and Courtship in Federalist America Essay The courtships and marriages of Theodore Sedgwick and of his seven children span the American Revolution and the early republic, with Theodore first marrying in 1767/68, his children being born between 1775 and 1791, and all except Catharine marrying by their thirties. In some ways, Kensleas findings are unsurprising, as arranged marriages gave way to individual choice: Sedgwick arranged his eldest daughters marriages in 1797 and 1801, while his sons enjoyed love matches within a decade. But Kensleas focus on the family adds a new dimension: male influence in arranging young womens marriages apparently extended beyond fathers to brothers. Professing so much pride and pleasure in contemplating her worth, that I want the world to know what a sister I possess (45), Theodore II insisted Frances marry Ebenezer Watson, whom she did not love. When Watson turned out to be physically abusive, Francess brothers again played a significant role by using their influence on her husbands business as a way to control him and offering their homes as a refuge. Just as brothers influenced their sisters marriages, peers played a significant role in love matches: in both cases, courtship took place in a group context. Even when love superseded paternal choice, siblings made clear that marriage to someone was necessary: as Catharine Sedgwick asked her equivocating brother, What are you doing? Sucking your thumbs, and building castles while all the birds of the air are building their nests (110). Friends were equally important in shaping courtship. The wonderfully named Friendlies—a group of single and married Boston women in their twenties—not only provided the younger Sedgwicks with potential wives, but advised them on how to choose well. Kenslea demonstrates that marrying for love by no means simplified choice; instead, both men and women employed badinage as a way of ascertaining intent without committing themselves, and alliances shifted so quickly that the Sedgwick men seem to have courted all the Friendlies at once. Such dizzingly complex male/female relations (119)—replete with wit, romantic potential, and power plays—suggest parallels to the mixed groups Catharine Allgor discovered in the early republics political salons (103). At least during courtship, male/female spheres had remarkably porous boundaries, and Kenslea finds the beginnings of the domestication of virtue (169) in the early republic, as personal  happiness succeeded public good. As couples became engaged, they retreated from friends and family and developed relationships Kenslea finds similar to those Karen Lystra discovered among Victorians two decades later. In Harry Sedgwick and Jane Minots engagement of 1816-17, they quit badinage for candor, tested their relationship with a year long separation as Sedgwick established himself financially, and created new selves by employing letters as a form of physical contact and ritual celebration of their love (131). Like Lystra, Kenslea finds fluidity of gender roles (155), with Jane complimenting Harry, you are the nearest to a woman in your feelings of any man I know (144). The Sedgwick manuscripts, however, allow Kenslea to examine such courtships through siblings and parents eyes, rather than only from the couples perspective. If the Sedgwicks provide much evidence of family and friends roles in court- ship and the erosion of distinct gender roles, they also suggest the limits of change. The Sedgwicks occupied a narrow cut of society—Federalist, Unitarian, and upper class—but male privilege framed their lives.

Henry Moore at the Tate Britain | Summary

Henry Moore at the Tate Britain | Summary Tate Britain is one of the main galleries within London along with Tate modern, which is showing the works of the late Henry Moore (1898-1986), one of the worlds most famous pre-eminent sculptors of the 20th century along with Alberto Giacometti (1901-1966) who is best known by his broad beamed, monumental reclining females. By the first half of the twentieth century there were also Henri Gaudier-Brzeska, Jacob Epstein, and Barbara Hepworth. Which Moore met in 1921 as a fellow student? The Guardian The most important exhibition of Moores work for a generation As you approach the Tate Britain you are confronted with large Henry Moore banners hanging from four white poles on the Manton entrance gallery forecourt, just before you walk down the ramp and steps to the entrance. This makes it easy access for those who are disabled or have wheel chairs. Once inside the entrance youre confronted with a large open visitors and information area, to the right is the gallery shop and to the left is the gallery to the Henry Moore exhibition. This is clearly marked with posters and large wall boards behind the counters, where the tickets are bought. The ticket comes with a map of the whole gallery floor plans, which shows all the rooms throughout the Tate Britain. The whole gallery holds a wide variety of works from famous artists within the 15th to 21st century covering all aspects of British art, history and society. For the Moore exhibition viewers they are also given a fold out leaflet on Henry Moores work within the exhibition giving you a breakdow n of the movements and themes around the time of his works pieces. Viewers are now ready to see the work of the man they read in history books, on websites and within universities to colleges. When entering the first room viewers are greeted with a semi dark atmosphere with a reddish burgundy wall blended with cream walls. These colours make the room feel warm with relaxing surroundings for the sculptures that are positioned on their white plinths. Several pieces were also displayed in clear cases. There where images on the walls and four stone figure masks, also large reclining figures and images of people lying or sleeping in dark scary tunnels in war time. With each displaying piece there was an information plaque. Each piece had a number of individual spot lights pointing to them from the ceilings, which set the pieces off well giving each peace its own individuality. The Daily Telegraph We see a different Moore from the one most of us know In 1901 Moore studied one of the old masters from the 15th to 18th century. The great Michelangelo, this is when Moore first became interested in sculpture. By this time of his life Moore was constantly visiting the British museum. Here he encountered that pre-modern art. Also at this time of his life he came across the author, roger frys, book of vision and design. Like fry Moore soon believed that primitive art did convey a possessed intense vitality. When the first publication was printed in December of 1920, which Moore soon read? Here is when Moore first started becoming interested in the primitive art form and the processes. In 1922 Moore begin his first carvings in wood and stones.he particuly love english stones. Around this time moore carved his his first mother and child piece. You can clearly recognize the primitive side to Moores first sculpture pieces within the first gallery rooms. These works fall under the time when modernism was really being challenged. Even Moore hi mself began to challenge the modernism style. You can clearly see this within Moores later years. Each sculpture is positioned so the viewers can study the whole piece from every angel. while walking around them. So with each individual piece u can see how the light reflects off the shapes. which Moore clearly intended to show when positioned out side. This is what makes it easier to understand each piece individually with in the gallery space. When the viewer first walks in to the gallery there is a write up printed on each and every room entrance. You will also notice there are sculptures relating to the mother and child in each room too. The first rooms fall under the time of modernism the next room is the mother and child room then you move on to moores post war peices. Along with Up to here Within this essay I have been looking at the Henry Moore Exhibition at the Tate Britain in London. As explained in the introduction to the exhibition, this focuses on Moores career from the 1920s to the 1960s. This solo exhibition has been widely publicized and praised as these newspapers and quotes show. The Guardian The most important exhibition of Moores work for a generation All the grand claims about archetypes, about humanity essentialised in beautiful organic forms: all are justified by the drawings of sleepers, and the rarely shown images of miners at the coal-face. Moore finds form, in all respects it seems, in draughtsman ship rather than sculpture. Comfortable, passive, smooth, polite: the subject can be as dramatic as a mortally wounded man, as monstrous as a lopped and bloated corpse, and still the sculptures lack singularity and power. What strikes most is their family resemblance, their Mooreishness, their steady continuation down the long decades of his career. It is almost half a century since Herbert Read described them as forms that are vital to the life of mankind, as if we could scarcely survive without them. The world has changed, but the art has not. I cannot believe we were looking at the same sculptures The guardian Talks about how moors works are viewed in the twenty-first century. I think there being a little bit harsh and over critical with his creations and ideas for his sculptures and his works on paper. These where created in the nineteenth century and the views on the works are not the same. The work should be viewed on the ideas of Moore craftsmanship with stone and the desire to the figurative form with the illusion of light and dark and the working with shadows to express the forms. When positioned in the outside environment which plays a big part to observing his pieces with in a natural world. So how can you really see the full potential of moors work when placed within the Tate Britain gallery halls? The Daily Telegraph We see a different Moore from the one most of us know Moore was unlucky in that the years after his death in 1986 were a period of tremendous innovation in British sculpture. As the careers of Tony Cragg, Richard Deacon, and Anish Kapoor hit their stride, it was hard to look at Moores work with a sense of discovery and excitement. Almost a quarter of a century on, we are far enough away to see it in perspective. It no longer looks passà ©, but eternal How was Moore so unlucky after his death? He has succeeded in many ways his work shows how his life was and the forms of his figure sculptures tell a story of desire and passion. he had while working in various stones, even his paper and ink drawings shows a time of desperations in the world of war. People sleeping in the tunnels to survive another day scared wondering if there was going to be a tomorrow. His figure drawing drawn with various mediums from ink and chalk and different washes looking mainly at the form consisted with natural light. Moore was not unlucky as the papers says his work is on show even to this day celebrating his career and life with in the Tate Britain walls yes his figures may be similar to one another in a dimensional way but his craftsmanship and his relation to explore the use of stone is what is important here and the timeline when sculpture artists where still really discovering them selfs in the world of art. As during the time of the 1930s the directions of Nicholson and Hepworths work looked so similar. Even in painting and sculpture they were developing there own vocabulary of pure, simplified forms, along with sculpturer Henry Moore and other artists such as? the leading European practitioners of the new abstract art Naum Gabo, Piet Mondrian, Constantin Brancusi and Jean Arp. For these artists abstraction and the concern with pure forms had a democratic, utopian social aspect and a universal character that could transcend national differences. This vision stood in stark contrast to the rise of fascism, with its emphasis on racial identity and literal, propagandistic art. The Metro Theres Moore to him than you think The big interview: Henry Moore For some, seeing a Henry Moore sculpture indoors is like watching a wild animal in captivity. We are accustomed to viewing his work on display in provincial towns, surrounded by acres of green space, so the prospect of finding more than 150 pieces cooped up under artificial light seems unnatural. However, for this first major London retrospective of the sculptors work since his death in 1986, a darker interior setting should prove entirely fitting? Tate Britain aims to show that, far from being the cosy father figure of 20th-century sculpture, Moore was in fact a more responsive and innovative artist than many give him credit for. Moore is familiar and still so popular yet theres a sense that his critical reputation isnt what it might be, partly because of that familiarity. Says curator Chris Stephens. The language used in the publicity was aimed at a wide range of public audience to attract the general public. There were large flags outside the gallery entrance and posters on the walls within the reception area to publicize the exhibition. The culture show dedicated an hour show programme to the artist, which also included a discussion from the exhibition curator, Chris Stevens. As the publicity includes news clips, national papers and large scale publicity at the gallery these all combine to show the importance of this solo exhibition.